Using these
multiple approaches, I am able to create movement
and history of marks while working within the formal
constraints of the edges of the canvas or panel. The
result is an exploration of the process and the relationships
of the surface I am creating. The paintings incorporate
juxtaposition and various associations between the
areas of activity on the surface. Often it happens
that an edge, a mark, a color, a drip, a stroke, or
an added material will define the tactile activity
within the space. The results are intimate explorations,
associations and a history through layering. |